![]() It doesn't sound much like my real Deluxe Reverb and isn't even close to modeling the gain behavior correctly but I don't care because it was a beautiful tone that I just got lost in playing with. So I created a new patch with a Deluxe Reverb and a tape delay and damn if it didn't sound really good. I must have bought the Fender pack at one time since all the Febder stuff was unlocked. I fired up Amplitube and found that almost everything I wanted to try was locked. Tonight I was trying out the Line 6 Sonic Port VX that I picked recently. It isn't as easy to switch between presets due to the need to scroll, but finding the one you want is generally much easier by comparison.So I've had this app for a long time and never really used it. Each preset can be named, and there are small images of each piece of kit displayed under the name. The numbers are laid out on a grid, and if you have a great memory the system makes it easier to switch between effects, as the need for scrolling is minimal.ĪmpKit's preset functionality is more user friendly. Upon first use, AmpliTube's way of representing presets is terrible, as each preset is represented by a number and nothing else. Each has its advantages in certain situations, but neither is perfect. Presetsīoth apps offer ways to save and access presets, but they do so in different ways. AmpKit is the only application of the two that has any brand-name gear at all, thanks to the partnership with Peavey. ![]() For instance, in AmpliTube, "Fuzz" also appears to be a Tube Screamer-as in AmpKit, the image of the pedal is the same signature shade of green that one would associate with the Ibanez unit. The in-app purchase section of AmpKit tells the user what most of the gear is modeled after, which makes things easier, especially those familiar with that hardware.Īlthough AmpliTube doesn't come out and say it, it's fairly obvious that some of their equipment is modeled in a similar way. Whichever method you prefer, however, in many cases you'll have to remember that the name typically refers to some well-known piece of equipment that can't be named for trademark reasons.įor instance, the "Elevenizer" effect in AmpKit is modeled after the classic Ibanez Tube Screamer distortion pedal. In AmpliTube, items are named rather generically, while the AmpKit "gear" comes with more creative names. Additionally, IK Multimedia sells AmpliTube LE, which costs $2.99 and offers a small sampling above and beyond AmpliTube Free. IK Multimedia calls this version AmpliTube, while Agile Partners call its version AmpKit+. The two applications also have $19.99 versions. Pieces of equipment range in cost from $0.99 to $6.99. AmpliTube and AmpKit both offer free versions, which come with a minimum number of options and a number of à la carte equipment available for in-app purchase. A slight alteration to any of the four could lead to either a subtle or drastic change to the final sound. SoftwareĮach application involves four primary parts of the effects processing chain: the effects themselves, amplifiers, speaker cabinets, and microphones. Each piece of hardware retails for $39.99, a price that does not include the cost of software. The amp does affect the device's performance, which we will get to later in the showdown. ![]() The only major difference, aside from build quality, is that the Peavey unit takes two AA batteries, which power a small headphone amp. Neither unit feels particularly rugged, but the Peavey unit looks and feels significantly cheaper than than its competitor. Headphones are necessary, as neither application will output sound through the speaker while the headphone jack is occupied. Lastly, a pair of headphones needs to be plugged into the 1/8-inch jack on either device. Each device has a tail (the AmpLiNK cable is a good deal longer than the iLink) that plugs into an iPhone, iPod touch (second-generation or later), or iPad's headphone jack. Their respective devices work primarily the same way: instead of connecting a guitar to an amplifier, the 1/4-inch cable plugs into the units. You might expect the best way to get audio onto an iPhone would be through the dock connector, but both companies use the 1/8-inch headphone jack instead. But which should you get? Read on to find out. Currently, there are two players: IK Multimedia, makers of the popular AmpliTube simulation software for Mac and PC, and indie developer Agile Partners, in partnership with Peavey.īoth companies make apps that use a combination of hardware and software to capture audio signals from a guitar and process them to produce a wide range of sounds, including amp simulation, distortion, and other effects. Effects processing software for the iPhone-which puts advanced effects processing power in your pocket- is a new phenomenon, however. Guitar effects processing software is nothing new.
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